Latest posts.
http://farm4.static.flickr.com/3070/2639346406_07acfa10f1.jpg?v=0
Programmed Typography titled ’schim.’ by Manuela Strauss
Posted on October 11th, 2008.
Categories: Generated, Processing, Programming, Research.
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http://www.flickr.com/photos/toxi/2635536163/
PostSpectacular realized the Print magazine August 2008 cover by designing and digitally fabricating a typographic sculpture using generative form giving. With this work they also indicated the changing scope of ‘print’. The process is part of the artwork and therefore documented as making-of on http://postspectacular.com/process/20080702_printmagcover
Posted on October 11th, 2008.
Categories: Generated, Programming, Research.
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http://dmtr.org/syntype/
Dimitre Lima programmed a basic visual typography synthesizer in Processing. You can animate the type’s shape by applying different values of transformation degrees.
Posted on October 11th, 2008.
Categories: Interactive, Processing, Programming, Research.
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http://www.typeworkshop.com/Florence_12_2005/final-result/florence-final-07.jpg
Typeworkshop.com shows various results of workshops by Underware, a design company specialized on type design and production. Students work with different media and show different approaches to thematic titles such as ‘darkmark’, ‘Movable Type’ or ‘Applied Type’.
Posted on October 10th, 2008.
Categories: Inspiration, Installation, Research.
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www.maedastudio.com/1996/gggkami/mori6.jpg
Some early work of John Maeda is done by Postscript programming. A series of posters show various examples.
http://bp0.blogger.com/_jQ3w5UYYX5A/RaIP1wox03I/AAAAAAAAAAM/LlqyguU-qRU/s320/RandomFontColorEffects.jpg
Just van Rossum and Erik van Blokland (LettError) built the Typeface Beowolf as their first ‘RandomFont’.
They apply random functions to the letterforms when printing. Thus you get an individual shape for each letter. Computer fonts are rather dynamic programs than static forms. The two designers admit that the random aesthetic here is not that appealing, but the project was “proof that fonts were no longer physical objects but instructions.” (Interviews 1: Print, p.170, Processing. A Programming Handbook for Visual Designers and Artists, 2007 MIT)
http://www.letterror.com/content/nypels/randomfont.html
Posted on October 8th, 2008.
Categories: Generated, Processing, Programming, Research.
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http://img.ffffound.com/static-data/assets/6/f6a28c9de0b356a4d88f1344e33bd48f5920af5a_m.gif
Posted on September 28th, 2008.
Categories: Research.
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http://fontanel.nl/gallery/erosie2/images/erosie_poster.jpg
by Erosie
http://behance.vo.llnwd.net/profiles/52599/projects/43969/525991192705053.jpg
by David Aspinall
http://www.creativereview.co.uk/crblog/wp-content/uploads/2008/04/nfcumanifesto.jpg
by Jason Tozer
http://behance.vo.llnwd.net/profiles/72118/projects/89094/721181209664568.jpg
by Shaun Turnbull
http://www.manystuff.org/wp-content/uploads/2008/01/posterproject.jpg
by Kevin Wade Shaw
Posted on September 28th, 2008.
Categories: Poster, Research.
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http://tex-server.org/text/wp-content/200707100007.jpg
Posted on September 28th, 2008.
Categories: Research, Theory.
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http://www.abeautifulrevolution.com/photos/uncategorized/2007/05/10/tell_me_something_1.jpg
Posted on September 28th, 2008.
Categories: Research.
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http://www.estherstocker.net/images%20gross/3installationen/6stocker_khwien.jpg
http://www.estherstocker.net/images%20gross/3installationen/5stocker_taxis2.jpg
The project wall ‘I’m afraid I must refuse’ (2005, Kunsthalle Wien) contains of 47 sentences refusing a request. The very graphic - almost typographic - appearing installation on the picture below is made with painted wood.
Posted on September 26th, 2008.
Categories: Installation, Research.
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