Latest posts.

Generative Typography

http://farm4.static.flickr.com/3070/2639346406_07acfa10f1.jpg?v=0

http://farm4.static.flickr.com/3070/2639346406_07acfa10f1.jpg?v=0

Programmed Typography titled ’schim.’ by Manuela Strauss

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Digital Fabrication

http://www.flickr.com/photos/toxi/2635536163/

http://www.flickr.com/photos/toxi/2635536163/

PostSpectacular realized the Print magazine August 2008 cover by designing and digitally fabricating a typographic sculpture using generative form giving. With this work they also indicated the changing scope of ‘print’. The process is part of the artwork and therefore documented as making-of on http://postspectacular.com/process/20080702_printmagcover

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syntype

http://dmtr.org/syntype/

http://dmtr.org/syntype/

Dimitre Lima programmed a basic visual typography synthesizer in Processing. You can animate the type’s shape by applying different values of transformation degrees.

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Typeworkshop.com

http://www.typeworkshop.com/Florence_12_2005/final-result/florence-final-07.jpg

http://www.typeworkshop.com/Florence_12_2005/final-result/florence-final-07.jpg


Typeworkshop.com shows various results of workshops by Underware, a design company specialized on type design and production. Students work with different media and show different approaches to thematic titles such as ‘darkmark’, ‘Movable Type’ or ‘Applied Type’.

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Postscript as Programming Language

maedastudio.com/1996/gggkami/mori6.jpg
www.maedastudio.com/1996/gggkami/mori6.jpg
Some early work of John Maeda is done by Postscript programming. A series of posters show various examples.

http://bp0.blogger.com/_jQ3w5UYYX5A/RaIP1wox03I/AAAAAAAAAAM/LlqyguU-qRU/s320/RandomFontColorEffects.jpg

http://bp0.blogger.com/_jQ3w5UYYX5A/RaIP1wox03I/AAAAAAAAAAM/LlqyguU-qRU/s320/RandomFontColorEffects.jpg

Just van Rossum and Erik van Blokland (LettError) built the Typeface Beowolf as their first ‘RandomFont’.
They apply random functions to the letterforms when printing. Thus you get an individual shape for each letter. Computer fonts are rather dynamic programs than static forms. The two designers admit that the random aesthetic here is not that appealing, but the project was “proof that fonts were no longer physical objects but instructions.” (Interviews 1: Print, p.170, Processing. A Programming Handbook for Visual Designers and Artists, 2007 MIT)
http://www.letterror.com/content/nypels/randomfont.html

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From a graphic design blog

http://img.ffffound.com/static-data/assets/6/f6a28c9de0b356a4d88f1344e33bd48f5920af5a_m.gif

http://img.ffffound.com/static-data/assets/6/f6a28c9de0b356a4d88f1344e33bd48f5920af5a_m.gif

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Type Posters

http://fontanel.nl/gallery/erosie2/images/erosie_poster.jpg

http://fontanel.nl/gallery/erosie2/images/erosie_poster.jpg

by Erosie

http://behance.vo.llnwd.net/profiles/52599/projects/43969/525991192705053.jpg

http://behance.vo.llnwd.net/profiles/52599/projects/43969/525991192705053.jpg

by David Aspinall

http://www.creativereview.co.uk/crblog/wp-content/uploads/2008/04/nfcumanifesto.jpg

http://www.creativereview.co.uk/crblog/wp-content/uploads/2008/04/nfcumanifesto.jpg

by Jason Tozer

http://behance.vo.llnwd.net/profiles/72118/projects/89094/721181209664568.jpg

http://behance.vo.llnwd.net/profiles/72118/projects/89094/721181209664568.jpg

by Shaun Turnbull

http://www.manystuff.org/wp-content/uploads/2008/01/posterproject.jpg

http://www.manystuff.org/wp-content/uploads/2008/01/posterproject.jpg

by Kevin Wade Shaw

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The gap between thinking and feeling

http://tex-server.org/text/wp-content/200707100007.jpg

http://tex-server.org/text/wp-content/200707100007.jpg

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Tell me something

http://www.abeautifulrevolution.com/photos/uncategorized/2007/05/10/tell_me_something_1.jpg

http://www.abeautifulrevolution.com/photos/uncategorized/2007/05/10/tell_me_something_1.jpg

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Esther Stocker, installations

http://www.estherstocker.net/images%20gross/3installationen/6stocker_khwien.jpg

http://www.estherstocker.net/images%20gross/3installationen/6stocker_khwien.jpg

http://www.estherstocker.net/images%20gross/3installationen/5stocker_taxis2.jpg

http://www.estherstocker.net/images%20gross/3installationen/5stocker_taxis2.jpg


The project wall ‘I’m afraid I must refuse’ (2005, Kunsthalle Wien) contains of 47 sentences refusing a request. The very graphic - almost typographic - appearing installation on the picture below is made with painted wood.

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